Book Review: MFA in a Box
It took me longer than it should’ve to understand that this book is written as creative non-fiction, rather than standard nonfiction. Rember spends little time on the nuts and bolts of writing, and suggests looking elsewhere for the fundamentals of writing technique. He’s interested in how to use writing technique to best effect, once you have it. And he has no aversion to wordplay, tale spinning, whimsy, or digressions. For example, he moves from a discussion of Gilgamesh into a meditation on Marilyn Monroe and other glamorous women and on contemporary discomfort with femininity, particularly female sexuality, before returning to Gilgamesh.
It worked for me.
Also interesting is Rember’s retelling of “The Little Match Girl” as Raymond Carver could’ve written it, which he then relates to the topic of The Writer As An Outsider. Later, Rember analyzes The Book of Job and “Hansel and Gretel” and, in a convincing fashion, relates both to the life and craft of a writer. And did I mention that Rember is funny? He is. Very. Reading this, I laughed out loud—quite a bit. His humor is dry, mordant, and merciless.
All that is excellent, but I won’t claim that this is the easiest reading you may encounter. The prose is packed with concepts, allusions, opinions, and side-trips, all of which demand focus. My first time through MFA in a Box, I read a chapter a day; the second time through went faster for me but still kept me on my toes. The book definitely merited a second reading, and soon enough I’ll go through it a third time.
For anyone who feels he or she has read enough about writing for a lifetime, this book would be worth trying. It ventures deeper than most and illuminates why and how one might want to write and the relationship between those two questions. All the social commentary, autobiography, asides, and anecdotes could be seen as distractions, I guess, but for me they were a good matrix for Rember’s discourse on writing—and icing on the cake.
The book was a treat.